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Brahms in Symphony Hall

Saturday 9 March 2013 at 1900 | Symphony Hall, Birmingham
Brahms: Ein deutsches Requiem op.45
 
 
 
 
As part of the twenty-fifth Annual Cathedrals' Group Choir Festival, the Orchestra's first performance in Symphony Hall, Birmingham. Brahms's remarkable German Requiem a work of huge eloquence, emotional honesty, for all people in every time.
 
This event is promoted by Newman University College.
 
 
 
 
Caroline Lester, soprano | Mark Saberton, baritone
Derek Wroughton, conductor
 
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David Quigley plays Haydn

Sunday 24 March 2013 at 1500 | Artrix, Bromsgrove
Michael Haydn: Symphony in G major P.16 
Franz Joseph Haydn: Piano concerto in D
Albert Schnelzer: Emperor Akbar 
Beethoven: Symphony no.1 in C major, op.21 
 
 
A symphony by Joseph Haydn's younger brother, for a century identified as Mozart's no.37; an unusual wonder of a concerto with a 'Hungarian' finale; an exotic fantasy growing from a novel by Salman Rushdie; and a C-major symphony announcing the arrival of the greatest of all symphonists. Brilliant young pianist, David Quigley joins the Orchestra for the first time.
 
click here to listen to the Concerto on Spotify

David Quigley, piano | Martin Leigh, conductor

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Adams, Debussy, Mozart, and Grieg

Friday 21 June 2013 at 2000 | Wombourne Festival

Debussy: Prélude à “L’après-midi d’un faune”
(arr. Arnold Schoenberg)
John Adams: Shaker Loops
Mozart: Divertimento in D KV136
Debussy: Danses sacrée et profane
Grieg: Holberg Suite
 
Our first invitation to the Wombourne Festival, and perfect fare for the longest day: Debussy's two sublime dances written for the Pleyel company in 1904 and the arrangement of the Prélude prepared under the supervision of Arnold Schoenberg; John Adams's first major work, still his most performed; and much-loved diversions by Mozart and Grieg.
 
Read more about John Adams and Shaker Loops, here.

Rita Schindler, harp | Martin Leigh, conductor

Revolutions

Sunday 7 July 2013 at 1930 | Artrix, Bromsgrove

Debussy: Prélude à “L’après-midi d’un faune” 
(arr. Arnold Schoenberg)
Witold Lutosławski: Partita
Debussy: Danses sacrée et profane
Biber: Passacaglia from Rosary Sonatas
Ludwig van Beethoven: Symphony no.3 ‘Eroica'
 
Revolutions — Debussy's Prélude, which work brought 'new breath to the art of music', set alongside two exquisite, quietly-revolutionary dances; one of the earliest works for the unaccompanied violin, beside the great Partita by Polish composer Witold Lutosławski (2013 the centenary of his birth); and Beethoven's always-new always-revolutionary, once-Revolutionary 'Eroica'.
 
click here to listen to Lutosławski's Partita on Spotify
 
Anna Cashell, violin | Rita Schindler, harp
Martin Leigh, conductor
click here to buy tickets online
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